Wednesday, 14 March 2012

Question two- How does your media product represent particular social groups?

Gender
Our media product represents women more than anything, as hard, unforgiving and drastic people. There is no male dominance in this film, it focuses on women in a single light. The use of the female role in this film is a contemporary representation of women, the girl becomes a femme fatale, who takes the position of a male role, like in many films the man is doing the dirty work, in this opening, the women has taken that role, becoming a femme fatale, like in Thelma and Louise.

This clip shows the femme fatale role being used. The camera angles, acting of the trucker (dum, foul-mouthed, greedy) add to the female being in control. 



It goes against the stereotypical representation of women as well as going against the thriller convention. We represented women in this way, mainly due to the rapid change in views of women in society, instead of having a patriarchal society that it used to be, the film challenges the ideas of that, therefore appealing to women, as it represents them in a modern ideology.
The fact that there is a lack of male dominance could be a progression in the representation of women in the film industry. We also used camera angles which made the killer look more dominating and powerful, like in the shots in Thelma and Louise. Example of the shot below.
The camera angle here shows the dominance the women have, the camera is low down,
behind them, effectively on their side and
they are casually sitting while the man is standing in a arrogant manner. 


Social Class
The group of friends are teenagers, but aren’t specifically seen as in a certain social group, like chavs, emo, Goth or other niche groups. This may be because us, who starred in the film, don’t belong to a social group, or the characters in the film, especially the killer, as it wouldn’t suit the characters characteristics. Or having a particular social group in the film wouldn’t have the same amount of impact on the audience as if the group of friends couldn’t be classed into a group.

Note the big jacket,
suggesting (one of many features of the jacket) their lack of fashion,
 significant for the lower class (no money to spend on clothes) 
On an individual level, we decided that the characters will be all at the same social class level. Although one way you could segregate them into social groups would be clothes being worn. Only the killer’s clothes stand out, wearing a large coat, with the hood up, possible suggesting she is a girl who keeps herself to herself and that she has no real fashion sense, which maybe seen lower class, if you were to critically analyse them.

We decided not to show any ethnic minorities or different ethnic backgrounds, as this subject is very sensitive and we weren’t confident enough in making this film containing ethnic minorities in case we offended anyone.

The representation of Britain is a pessimistic view, the use of dark lighting and suspicious activity adds to this sense of danger and a depressive outlook that the film reveals to the audience. Also the youth are seen as out of control, out of touch and "non-mainstream" compared to other views of contemporary Britain, as the youth have a dull and bleak future ahead of them, with the possibility of no job, no accommodation and no money. 

1 comment:

  1. A promising answer to a difficult question with effective reference to the outrageous behaviour of Thelma and Louise blow up the truck which of course is a phallic symbol, thus they are putting themselves in conflict with a strongly mid west paternalistic society. But then one has to admire them whereas the girl in your film is a darker representation of female deviance.

    I put the following suggestion on Jessica's blog re representational issues in your film.

    If you google www.filmsite.org there is some excellent information on femme fatales
    Click sub genre then click film noir : an example from the site...

    .."Greatest Femmes Fatales in Classic Film Noir: Classic film noir developed during and after World War II, taking advantage of the post-war ambience of anxiety, pessimism, and suspicion, and possibly reflecting male fears of female liberation and independence during the war years......" another example:
    ...."The femme fatale, who had also transgressed societal norms with her independent and smart, menacing actions, would bring both her and the hero to a downfall..." Obviously in contemporary films such as The Girl with the Dragan Tattoo" though Lisbeth transgresses social norms she survives. Whereas Thelma and Lousie, a film made over 20 years ago clings onto the traditional representation of the female who transgresses and they are eventually destroyed.
    Your lead character is likely to be put away for a long stretch...or?

    You could engage with some of the points raised in this extract from www.filmsite.com and explain that your female lead in many ways is a development of the wicked female (Fatal Attraction) whose actions are clearly psychotic.

    You could also mention that your film represents contemporary Britain as unsafe and its youth out of control and out of touch with mainstream society, for example many commentators came to this conclusion after the summer riots.

    Another areas to explore with regard to representation of place is that like noir films which were made during the war and in the post war period (The Third Man) your film has a pessimistic anxious mood thus reflecting the current mood of austerity Britain and the anxiety of young people whose future at the moment appears bleak and with little hope of a job. A discussion such as this would strenthen your grade and also suggest you are able to think out of the box.

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